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MBC3 2. 00. 3 2. United Arab Emirates. Iran. Israel. Georgia. Armenia. Azerbaijanctimai Television 2. Number of seasons. Japanese3 EnglishTheme songs. OpeningSONIC DRIVE Japan, France, South Korea, China, Hong Kong, Macau, Taiwan, Vietnam, Thailand, Philippines, Malaysia, Indonesia, Singapore, IranGotta Go FastUS, CanadaSonic ItalySonic X ElsewhereEnding. Fu tu reJapan, France, South Korea episodes 1 1. China, Hong Kong, Macau, Taiwan, Vietnam, Thailand, Philippines, Malaysia, Indonesia, Singapore, IranThe Shining RoadJapan, France episodes 1. South Korea episodes 1. China, Hong Kong, Macau, Taiwan, Vietnam, Thailand, Philippines, Malaysia, Indonesia, Singapore, IranT. O. PJapan, France episodes 4. South Korea episodes 5. China, Hong Kong, Macau, Taiwan, Vietnam, Thailand, Philippines, Malaysia, Indonesia, IranSonic shortened version ItalyGotta Go Fast shortened version ElsewhereRunning time. Approximately 2. 0 minutes. Original run. 6 April 2. April 2. 00. 5Sonic X ,Sonikku Ekkusu is an anime series loosely based on the Sonic the Hedgehog video game series. It was animated and produced in Japan by TMS Entertainment with the partnership of Sega and Sonic Team. It was first broadcasted in Japan in 2. TV Tokyo. During that same year, 4. Kids Entertainment obtained the license to localize and broadcast the show in America. Originally planned as a 5. Sonic Adventure series, Sonic X expanded to 7. These additional episodes 5. Japanese television but they were streamed on rental services. As of June 2. 01. Sonic X in America was passed onto Saban Brands Kidsco Media Ventures following 4. Kids Entertainments bankruptcy due to a lawsuit. Despite this, the show did not receive significant differences from 4. Kids Entertainments changes. Plot synopsis. Countries that aired Sonic X. The 7. 8 episodes in Sonic X are split into eight sagas 3New World Saga episodes 1 1. Chaos Emerald Saga episodes 1. Chaos Saga episodes 2. Shadow Saga episodes 3. Egg Moon Saga episodes 3. Emerl Saga episodes 4. Homebound Saga episodes 4. Metarex Saga episodes 5. Season 1 1st half of Series 1First series main characters from Sonic X. New World Saga. As the series begins, Sonic accidentally gets hurdled though space from his unnamed home planet to Earth via Chaos Control. Sonic met Christopher Thorndyke, becoming friends with him. Sonic quickly learns that his other friends from his planet got caught in the Chaos Control and ended up on Earth as well, along with his arch nemesis Doctor Eggman and his army of robots. Once Sonic rounded up his friends, they agreed to settle into the Thorndyke Mansion as their new home in Earth. They mainly had to hide from the public because of their unique characteristics but were accepted by Chris family and friends. Soon, they learn that the source of the Chaos Control, the seven Chaos Emeralds, have also been transported to Earth, and scattered across the planet. Figuring that they may be the key to getting back home, Sonic and friends begin searching for them. But Dr. Eggman vows to achieve world domination over Earth with his robots. Over the course of a few weeks, Sonic and his pals get one of the Emeralds, while Eggman gets two. The President, however, is greatly concerned with Eggmans threats to the public society and issues the military to attack Eggmans base. Sonic and his friends aid the military and manage to take Eggmans Emeralds away from him. Hp Usb Disk Exe. At the end, Eggmans base is destroyed and Sonic is praised as a hero to the human population. Chaos Emerald Saga. Now being hailed as heroes, Sonics friends are able to get out of the house more often and went on vacations. But Dr. Eggman is quickly able to build, as a replacement base following the destruction of his tower, a flying fortress called the Egg Fort, and resumes his diabolical attempts to achieve world domination. Some time later, after getting severely damaged from many bouts with Sonic and his friends, the Egg Fort is left behind in the sea and replaced by the Egg Fort II. Also, the heroes collected Chaos Emeralds, bringing their total to five while Eggman managed to steal one. As Knuckles was desperate to obtain the last Chaos Emerald but knew it was not possible due to Sonic and Eggmans differences, he made the mistake of entrusting Dr. Eggman with the Chaos Emeralds the heroes have collected. The Egg Fort II transforms into E 9. Eggsterminator and harnesses the emeralds power to defeat Sonic but Chris manages to reclaim the emeralds and give them to Sonic, allowing Sonic to transform into Super Sonic and defeat Eggman. As a result of the seven Chaos Emeralds proximity within another, Chaos Control occurred but instead of sending Sonic and his friends back to their home planet, parts of Sonics world such as Angel Island has joined with Earth. Season 2 2nd half of Series 1Chaos Saga. The series focused on an adaption of Sonic Adventure, introducing characters such as Chaos and Tikal. Six months after the second Chaos Control, Eggman learns of the legend of Chaos, the god of destruction, who was sealed in the Master Emerald 4,0.
Treme Pilot Script Pdf Free
We're all about consumer reviews. Get the real inside story from shoppers like you. Read, write and share reviews on Trustpilot today. 'Pilot' Written by John Rogers & Chris Downey Blue Revisions Locked A September 26, 2007 Pink Revisions Locked A October 8, 2007. BLUE Revision - 9-26-07 1. Created Date: 7/23/2008 11:29:23 AM. Treme Pilot Script Pdf 9,0/10 4119 votes 'Nobody watched The Wire when it was on,' says David Simon, leaning forward with a conspiratorial whisper, sitting at a neat desk in the ersatz office of Harry Oxman, the long-ago vice-mayor of Yonkers, New York.
SPOILER ALERT: This weekly blog is for those watching Treme on British TV. Please don't spoil it for others if you've watched ahead, and don't spoil it for yourself if you haven't yet watched this week's episode
The Wire was a hard act to follow for David Simon and Ed Burns. They moved on quickly with the pitiless and moving Iraq-war miniseries Generation Kill, which debuted only four months after their acclaimed Baltimore drama ended – but Treme seems to be Simon's next real labour of love. It depicts the lives of a group of New Orleans residents in the aftermath of hurricane Katrina and may conceivably run for as long as the show that made his name; a second series is already imminent. Parting ways with Burns for the first time since 2000's The Corner, Simon has instead hooked up with Eric Overmyer, a writer and producer who lives part-time in New Orleans and whom he had worked with on Homicide: Life on the Street, as well as The Wire.
Treme Pilot Script Pdf Download
American response to Treme has been mixed – quite positive initial reviews, followed by some frustration at its apparently slow pacing and a supposed lack of subtlety. Now, almost a year on, we in the UK can make up our own minds.
In an interview published after the end of the series (spoilers throughout, I'm afraid), Simon said he felt no one could judge the show until they had seen all 10 episodes in full: 'It's always amusing to me to watch people commenting on the chapters without knowing the story … I think you look at a lot of it differently when you get to the end of the story … If people are saying they love where the story is going in episode two or three, I don't buy that, either.'
You may think this is a defensible position, or you may agree with me that it ignores the structure of the medium Simon works in, and the episodic way most people still watch television programmes. Either way, I'm afraid we'll be ignoring Simon's view here – feel free to judge away throughout the series in the comments below. By the way, Simon doesn't seem keen on viewers criticising the acting in Treme either ('it's one thing to talk about the character; it's another thing to talk about acting as if people know what the fuck they're talking about'), but I think we can safely ignore that too.
Episode one
Treme Pilot Script Pdf File
Treme – which, as John Boutté's jaunty theme music usefully informs us, rhymes with 'babay' – opens like an orchestra tuning up, with music and musicians hovering in and out of focus, getting ready for their first 'second-line parade' (revellers, musicians and dancers following the main parade) since the devastating storm three months earlier. Antoine (Wendell Pierce) has obviously gone down in the world since Katrina, playing such a parade for the first time his colleagues can remember and clearly doing so only to get hold of 'that motherfucking money'.
Across town, restaurant owner Janette (Kim Dickens) wakes up in bed with the shambolic Davis (Steve Zahn), but we soon get the impression that she is far from content with him (she gets in a quick dig about him being not a musician but merely a DJ) and it's easy to see why. Throughout the episode, Davis is irritating and sanctimonious, refusing to play the 'fucking New Orleans fucking canon' at the radio station where he works, drinking Janette's $350 wine, and leaving loud music blasting out at his gay neighbours before going out for the afternoon. I really hope we are not being invited to sympathise with such rudeness.
Tv Pilot Script
Almost as dislikeable is the preachy, self-righteous Creighton (John Goodman), who seems to enjoy taking his anger at the state of the city out on any journalists foolish enough to listen to him. A realistic portrayal of justifiable New Orleans fury this may be – Creighton is based on real-life blogger Ashley Morris – but it is not much fun to watch.
It's worrying in this regard that Simon has one character say 'I hate that fucking song' when she hears Fats Domino's warm, inclusive classic Do You Know What it Means to Miss New Orleans (obviously part of the 'fucking canon'). The message is clear – this show is for locals, not tourists – and in the interview I mention above Simon makes that explicit, quoting one of his directors as telling him: 'Well, you made Generation Kill for 26 recon Marines, and now you've made Treme for at least 400 New Orleans musicians. So by your standards, you've become almost sickeningly populist.' Simon is obviously poking fun at himself here, but the programme does betray a slight hostility towards viewers who know little about New Orleans. Which is to say, most viewers.
Other characters seem more promising, however. Albert (Clarke Peters) returns to his ruined, waterlogged home and the wreck of his favourite bar with the neck of his double bass sticking out of the back window of his car (a nice image) and the drumming of army helicopter blades overhead. His son and daughter think he's crazy to come back, but he gets stuck in straight away trying to get a group of Mardi Gras Indians – black New Orleans carnival performers who dress up like Native Americans – back up and running. Probably the most unusual – and least Wire-like – scene here has Albert take to the streets at night in his enormous, vibrant costume, the red, gold and orange blatantly and jarringly lit by artificial light against the shadows of the surrounding buildings.
I also liked struggling restaurant boss Janette and her trusty chef Jacques (Ntare Mwine), and the scenes between Antoine and his ex-wife Ladonna (Khandi Alexander, excellent). There is obviously still some affection between the two of them, something Antoine tries his best to rekindle.
Antoine: He [Ladonna's new husband] up there, you down here .. Who would know?
Ladonna: I would, baby .. I would know.
Ladonna's brother Daymo has been missing since the storm, last seen in prison, and she and Creighton's wife, lawyer Toni (Melissa Leo), are trying to track him down, in what is potentially the most dramatic storyline begun in this first episode.
Treme starts at a stately pace, but The Wire and Generation Kill began like this too, with the introduction of many unfamiliar characters, settings and concepts, some of them downright unattractive, and no clear sense of exactly how the story would unfold. Suddenly, a couple of episodes into each, everything snapped into focus; perhaps the same will happen here. It must be said, though, that the innate drama of the post-Katrina setting is not really being used to its full potential – although you get flashes of how it could be in the pictures Toni finds from the days of the storm, crowds of people crushed together hopelessly on flyovers by the river.
That said, the programme looks beautiful, as The Wire looked beautiful: the ruined buildings in the purple sunset, the pitch-black interiors of rooms lit only by the passing army helicopters, boats edging their way gently along the river, Albert with his filthy vest, bits of debris caught in his hair. (This opening episode was directed by Agnieszka Holland, the acclaimed Polish film director; she will return to direct the finale.) And the acting is almost uniformly impeccable – not that I know what I'm talking about.
Treme on ..
Here are a few things to keep an eye out for over the next 10 weeks. Please feel free to add your own suggestions in the comments.
Best musical moment: The massed voices and instruments of the second-line parade were pretty undeniable, and the montage over Buona Sera by Louis Prima was also lovely. The HBO website has a guide to all the music used in the series here.
Wire watch – David Simon favourites with a new home in New Orleans: Wendell Pierce (Bunk from The Wire) and Clarke Peters (Freamon) play two of the lead characters here, Antoine and Albert. In addition, Khandi Alexander (Ladonna) was in The Corner, the series Simon made before The Wire, and Melissa Leo (Toni) was one of the stars of Homicide, which was based on Simon's first book.
SPOILER ALERT: This weekly blog is for those watching Treme on British TV. Please don't spoil it for others if you've watched ahead, and don't spoil it for yourself if you haven't yet watched this week's episode
The Wire was a hard act to follow for David Simon and Ed Burns. They moved on quickly with the pitiless and moving Iraq-war miniseries Generation Kill, which debuted only four months after their acclaimed Baltimore drama ended – but Treme seems to be Simon's next real labour of love. It depicts the lives of a group of New Orleans residents in the aftermath of hurricane Katrina and may conceivably run for as long as the show that made his name; a second series is already imminent. Parting ways with Burns for the first time since 2000's The Corner, Simon has instead hooked up with Eric Overmyer, a writer and producer who lives part-time in New Orleans and whom he had worked with on Homicide: Life on the Street, as well as The Wire.
Treme Pilot Script Pdf Download
American response to Treme has been mixed – quite positive initial reviews, followed by some frustration at its apparently slow pacing and a supposed lack of subtlety. Now, almost a year on, we in the UK can make up our own minds.
In an interview published after the end of the series (spoilers throughout, I'm afraid), Simon said he felt no one could judge the show until they had seen all 10 episodes in full: 'It's always amusing to me to watch people commenting on the chapters without knowing the story … I think you look at a lot of it differently when you get to the end of the story … If people are saying they love where the story is going in episode two or three, I don't buy that, either.'
You may think this is a defensible position, or you may agree with me that it ignores the structure of the medium Simon works in, and the episodic way most people still watch television programmes. Either way, I'm afraid we'll be ignoring Simon's view here – feel free to judge away throughout the series in the comments below. By the way, Simon doesn't seem keen on viewers criticising the acting in Treme either ('it's one thing to talk about the character; it's another thing to talk about acting as if people know what the fuck they're talking about'), but I think we can safely ignore that too.
Episode one
Treme Pilot Script Pdf File
Treme – which, as John Boutté's jaunty theme music usefully informs us, rhymes with 'babay' – opens like an orchestra tuning up, with music and musicians hovering in and out of focus, getting ready for their first 'second-line parade' (revellers, musicians and dancers following the main parade) since the devastating storm three months earlier. Antoine (Wendell Pierce) has obviously gone down in the world since Katrina, playing such a parade for the first time his colleagues can remember and clearly doing so only to get hold of 'that motherfucking money'.
Across town, restaurant owner Janette (Kim Dickens) wakes up in bed with the shambolic Davis (Steve Zahn), but we soon get the impression that she is far from content with him (she gets in a quick dig about him being not a musician but merely a DJ) and it's easy to see why. Throughout the episode, Davis is irritating and sanctimonious, refusing to play the 'fucking New Orleans fucking canon' at the radio station where he works, drinking Janette's $350 wine, and leaving loud music blasting out at his gay neighbours before going out for the afternoon. I really hope we are not being invited to sympathise with such rudeness.
Tv Pilot Script
Almost as dislikeable is the preachy, self-righteous Creighton (John Goodman), who seems to enjoy taking his anger at the state of the city out on any journalists foolish enough to listen to him. A realistic portrayal of justifiable New Orleans fury this may be – Creighton is based on real-life blogger Ashley Morris – but it is not much fun to watch.
It's worrying in this regard that Simon has one character say 'I hate that fucking song' when she hears Fats Domino's warm, inclusive classic Do You Know What it Means to Miss New Orleans (obviously part of the 'fucking canon'). The message is clear – this show is for locals, not tourists – and in the interview I mention above Simon makes that explicit, quoting one of his directors as telling him: 'Well, you made Generation Kill for 26 recon Marines, and now you've made Treme for at least 400 New Orleans musicians. So by your standards, you've become almost sickeningly populist.' Simon is obviously poking fun at himself here, but the programme does betray a slight hostility towards viewers who know little about New Orleans. Which is to say, most viewers.
Other characters seem more promising, however. Albert (Clarke Peters) returns to his ruined, waterlogged home and the wreck of his favourite bar with the neck of his double bass sticking out of the back window of his car (a nice image) and the drumming of army helicopter blades overhead. His son and daughter think he's crazy to come back, but he gets stuck in straight away trying to get a group of Mardi Gras Indians – black New Orleans carnival performers who dress up like Native Americans – back up and running. Probably the most unusual – and least Wire-like – scene here has Albert take to the streets at night in his enormous, vibrant costume, the red, gold and orange blatantly and jarringly lit by artificial light against the shadows of the surrounding buildings.
I also liked struggling restaurant boss Janette and her trusty chef Jacques (Ntare Mwine), and the scenes between Antoine and his ex-wife Ladonna (Khandi Alexander, excellent). There is obviously still some affection between the two of them, something Antoine tries his best to rekindle.
Antoine: He [Ladonna's new husband] up there, you down here .. Who would know?
Ladonna: I would, baby .. I would know.
Ladonna's brother Daymo has been missing since the storm, last seen in prison, and she and Creighton's wife, lawyer Toni (Melissa Leo), are trying to track him down, in what is potentially the most dramatic storyline begun in this first episode.
Treme starts at a stately pace, but The Wire and Generation Kill began like this too, with the introduction of many unfamiliar characters, settings and concepts, some of them downright unattractive, and no clear sense of exactly how the story would unfold. Suddenly, a couple of episodes into each, everything snapped into focus; perhaps the same will happen here. It must be said, though, that the innate drama of the post-Katrina setting is not really being used to its full potential – although you get flashes of how it could be in the pictures Toni finds from the days of the storm, crowds of people crushed together hopelessly on flyovers by the river.
That said, the programme looks beautiful, as The Wire looked beautiful: the ruined buildings in the purple sunset, the pitch-black interiors of rooms lit only by the passing army helicopters, boats edging their way gently along the river, Albert with his filthy vest, bits of debris caught in his hair. (This opening episode was directed by Agnieszka Holland, the acclaimed Polish film director; she will return to direct the finale.) And the acting is almost uniformly impeccable – not that I know what I'm talking about.
Treme on ..
Here are a few things to keep an eye out for over the next 10 weeks. Please feel free to add your own suggestions in the comments.
Best musical moment: The massed voices and instruments of the second-line parade were pretty undeniable, and the montage over Buona Sera by Louis Prima was also lovely. The HBO website has a guide to all the music used in the series here.
Wire watch – David Simon favourites with a new home in New Orleans: Wendell Pierce (Bunk from The Wire) and Clarke Peters (Freamon) play two of the lead characters here, Antoine and Albert. In addition, Khandi Alexander (Ladonna) was in The Corner, the series Simon made before The Wire, and Melissa Leo (Toni) was one of the stars of Homicide, which was based on Simon's first book.
Antoine's money woes: Three times he can't pay a taxi driver in full. He's just lucky that real-life musician Kermit Ruffins gives him a job.
Treme Pilot Script Pdf Signer
The Voice of David Simon: which character seems to be providing a mouthpiece for the trenchant views of the programme's creator? I seem to recognise a distinctively inexplicable disdain for the British in the scene where Creighton petulantly destroys the microphone of a plummy-voiced English journalist who improbably and gratuitously insults New Orleans's music and its cuisine. An embarrassing scene for all concerned, and not in a good way.
Let me know what you thought of the episode – or whatever springs to mind – in the comments section below.
Treme Pilot Script Pdf Reader
• Paul Owen is the co-editor of The Wire Re-up: The Guardian Guide to the Greatest TV Show Ever Made
